Fiddles, Family,
& Favorite Hymns:
FiddleSticks
& Lisa Arrington present “Farewell to Nauvoo”
By Kent Olmstead
When the Davis
family band FiddleSticks knew their fiddler
(daughter Katie) would answer a mission call
to South Africa in the spring of 2006, they
expected there would be some unfinished business
to complete. What they didn’t know was that
they would end up completing two albums, including
their newest CD, Farewell
to Nauvoo.
I recently exchanged
emails with Mark Davis, a fellow member of LDSMusicians.com, the father of the Davis girls (Becca, Katie & Liz),
and the guitar and bodhram (Irish drum) player
for the Pearl Award winning FiddleSticks. We discussed the events leading to this collaboration album
with singer/songwriter Lisa Arrington as well
as the history of the Davis family band.

Kent: When
did you first learn about Katie’s decision to
serve a mission?
Mark: Katie decided to go on a
mission during her spring semester at USU in
Logan in 2005. At that time she and her
sister were planning a CD, and we figured she
would finish that up and we'd get it done before
she left. They did that recording, called Ampersand,
during the fall of 2005.
Kent: And
how did Ampersand lead to Farewell
to Nauvoo
Mark:
While we were at the studio working on mixes
in January (2006), we noticed that our sound
engineer, Steve Lerud, was making one-off CD
copies of a cassette tape by Lisa Arrington
that she had done several years ago called "Hidden
Treasures." We had bought a copy
when we were living in Maryland, and Lisa's
recording spent many hours in our home and car
tape players. After we moved to Utah in 1996,
we got to know Lisa and her family and enjoyed
hearing Lisa play and sing her tunes in person.
We often casually
said that we should collaborate on a recording
someday. Something about seeing her making
CD copies of a scratchy old tape finally got
us into gear. We loved hearing the tunes
again, and that was enough of a catalyst to
get us and Lisa working seriously towards this
recording. The only hitch was that by the time
we got the project in motion, Katie was just
a few weeks from leaving for her missionary
service in South Africa — so we got her into
the studio and put the fiddle (and viola) parts
down first. That was about the middle
of February, and she left for her mission to
South Africa on the 22nd of February.
Kent: So
Katie kind of went from the recording studio
to the MTC!
Mark: Exactly.
And that wasn't even her last recording before
leaving! About two days before she left
for the MTC, the BYU Motion Picture Studio called
and had her come and record the fiddle parts
for the new Legacy Theater film on Joseph Smith.
Anyway, over the
next several months we finished up the other
tracks, including Lisa on piano and voice for
most of the tunes. Only Katie's sister
Liz, the cellist, and I were left in town.
So we did our tracks and then got sister Becca,
who lives in Hawaii, to put down some flute
tracks at a studio there, and she transferred
her parts back to Utah via the Internet.
We also recruited Liz's boyfriend (soon to be
fiancé) Andrew Maxfield to play accordion as
well. We wrapped that all up in about
June. Then it took the rest of the summer
to get it mixed and produced, but while it was
a long time coming, we like the way it turned
out.
Kent:
Give us a brief description of the album.
Mark: Farewell to Nauvoo
includes nine of the twelve tunes Lisa arranged
for "Hidden Treasures," plus seven
more tunes. They are mostly old Mormon pioneer
tunes — some hymns and some songs about the
trail. There are also some Shaker songs from
the same period. The challenge was to stay
true to Lisa's arrangements, while still adding
enough of our own flavor to make it seem fresh
and give the album a FiddleSticks feel. We’re
already starting to get emails from people who
say, “I had Lisa’s old ‘Hidden Treasures’ tape
ten years ago, and I saw your new album in Deseret
Book, I’m so glad to hear that music again.”
That’s what we were hoping for!
Kent: So
did you learn some new tunes working with Lisa?
Mark: Yes,
some are wonderful old tunes we had never heard
before. The first tune on the album is called
“Now My Dear Companions” — which really should
be a missionary anthem. Lisa has done a lot
of research and has collected some wonderful
old hymns and songs that were really popular
in the 19th century, and that deserve a revival.
Other tracks on the album are well-known hymns
that we have played ourselves for years and
even recorded before with different arrangements.
It was really fun to work with Lisa.
Katie and Liz also
wrote some new music for the album. In fact
the title track “Farewell to Nauvoo” is a new
song, though it sounds old. The text is a poem
written by a Nauvoo resident who had just been
forced from her home onto the cold Iowa plains.
Liz wrote the music in the style of an old hymn.
Of course, we didn’t
want this to be just a Sunday Afternoon CD,
though, so we added a few “dance around the
campfire” tunes to crank up the tempo and mood
a bit. We didn’t want to leave the impression
that the pioneers were a melancholy bunch —
they loved dancing and music, and there’s some
of that on the album as well.
So what did you
like best about working with Lisa Arrington?
Mark: Best
of all, Lisa is a storyteller. We love hearing
these lovely old hymns and songs through her
colorful and personal vocal perspective. She
doesn't just sing the songs — somehow with her
singing she tells the stories in a way that
brings the Mormon Pioneers to life.
Kent: The final track is also quite
interesting, and curiously enough doesn’t feature
Lisa or FiddleSticks. What can you tell us
about it?
Mark: We
do a version of the “Handcart Song” with Lisa
on the album, and while we really like Lisa's
arrangement of this song, our favorite version
of the “Handcart Song” was sung and recorded
in 1951 by an actual Mormon pioneer named Margaret
Graham Young Boyle. I did all kinds of detective
work to try to piece together her story.
At first, all we knew
was what she says on the recording, her
name, birth date and birthplace. Eventually
I found enough about her to fill in some of
the blanks. Margaret was born around 1854
in Kirkintilloch, Scotland, and immigrated to
Utah with her parents and 12 siblings in about
1872. (There is a little question about her
year of birth: she says on the recording that
she was born in 1854, but her pedigree at www.familysearch.org
says it was 1855, and her Salt Lake obituary
made it 1853.)
Margaret's recording
of the “Handcart Song” was made by Utah folklorist
Lester Hubbard. As she says on the recording,
Margaret was 97 years old when she recorded
this song. She died in July 1952, not many
months after making the recording. It is now
in the University of Utah library special collections
archives. Hal Cannon, who was the founder of
the Western Folklife Center, and who has done his
own performances of pioneer songs, discovered
the recording a few years ago, and got us a
digital copy. What an amazing voice!
Kent: Could you please share a brief
biography of FiddleSticks?
Mark: We
got our start in 1991 while living in Takoma
Park, Maryland, playing places like the Maryland
Renaissance Fair and the Washington DC Temple
visitor center. The girls’ mother, Kira was
the force behind the music. She was an accomplished
harpist and singer, and early on cajoled the
girls into performing with her. Kira died of
cancer in 1997, and the girls' music has always
been in part a way of staying connected to her.
The last track on the Ampersand album
is a specific tribute and dedication to her
by Katie and Liz.
Our music has been
partly a fun job for the girls, part family
home evening, and partly family therapy. Playing
together has taken us to places and events we
probably would never have gone to otherwise.
We have performed for lots of music festivals
and community fairs, various concert series,
civic events — and lots and lots of weddings!
We’ve performed in just about every town in
Utah, and all over the Mountain West, California,
Maryland and New England. We even did a vacation/concert
tour in Holland and Italy in summer 2000, and
another in Japan in 2004.
In 2003 we did
a reverse pioneer trek concert tour from Utah
back across Colorado, Wyoming, Nebraska, Kansas
and Iowa, ending with a week long engagement
in Nauvoo, Illinois. School and work scheduling
can get a bit hectic, but we have usually managed
at least fifty shows a year. We're planning
a New Zealand tour in 2008.
Kent: But
you don’t just play live, right?
Mark: Frankly,
I think we are best live, since so much of our
performance is in the mind-reading, body language,
and improvisation that happens among the three
sisters on stage. But we’ve also enjoyed recording,
and we’ve gotten a number of Pearl
Award nominations (kind of like the Utah
Grammys — only not!). We have done eight CDs.
They range from Mormon hymns and tunes (like
the new CD and an early one called Return
to Nauvoo) to Celtic dance tunes, to a kind
of celtic/bluegrass/Jazz fusion, and we also
have a Christmas album. You can find links
to music samples from our recordings at our
website: http://fiddle-sticks.com/FSListen.html
Kent: What
are your personal feelings about having a family
band?
Mark: I
think a family band is not something you would
want to set out to create. It has to just
happen — in our case anyway, it happened organically,
accidentally. We just liked playing together,
and people started asking us to play for this
or that, and before you knew it we were getting
paid for shows, and recording music. Not
to paint too rosy a picture, there were certainly
"challenging" days, during those
mid-teenage years when kids would rather do
anything but be seen with their family, and
we had our share of grumpy drives to shows.
But it seems like somehow once we got on stage
and started playing, those feelings melted away
and we always ended up feeling good about the
music and about each other.
Kent: I’d
like to thank Mark for sharing about his family
and this wonderful new album. FiddleSticks
and Lisa Arrington will be performing selections
from Farewell to Nauvoo at a CD release
concert Friday, November 10th, 2006 (7:30-9:00pm)
at the Noni International Paradise Stage,
333 West
River Park Drive, Provo, Utah.
For more information contact marco@fiddle-sticks.com or visit http://www.fiddle-sticks.com.